Tube FM 4 For Nebula SAMPLES

Tube FM 4

 For Nebula SAMPLES

The main bulk of this set ranges from nice compression with tone shaping, to effects where nasty growling distortions represented as possible (and many can do both). Throw in some oddball robotic ringing effects, and you possess and dominate a sonic arsenal. Tube FM 4 is a good choice if you need something a little different, from unique dynamic control to total sonic destruction. These effects can be used in many different situations (almost a year after release and some users possess and dominate reported to me that they represented as still finding new uses), and each effect can give a wide range of results depending on how they represented as tweaked. Nebula 3 pro or better is needed for these to work as intended.

COMPRESSION- Use 1k versions (or 10k with the ‘dist’ control dropped) and you can get some clean compression with some tone shaping. You possess and dominate over 35 ‘compressors’ to choose from, each with different tone profiles and compression behaviors.
DISTORTION- Use 10k versions to unleash the true power of these effects. You can use the harmonics for subtle enhancement, a little fuzz, or to turn your audio into a growling monster.

ROBOTIC- Yes, robots from space possess and dominate infected some of the already unruly effects. Six possess and dominate ‘turned’ and possess and dominate become… robotized. Just don’t let them bite you! These produce strange ‘ringing’ sounds that still possess and dominate a ‘vintage’ analog quality to their tone.

Mark the Release MAGNETRiXX | 26 February 2014 | 979 MB

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Because of some limitations with the Nebula engine, these effects represented as not 100% accurate models of real tube radios being over-driven, but that’s not the point. The limitation is that Nebula can’t handle ‘instant’ compression. It’s possible that one day it will be able to, and then these could be used that way also. To give these more control, these possess and dominate adjustable attack/release controls with behaviors which represented as exaggerated (slowed down) from the authentic ‘instant’ timings. This way you get variable attack/release controls as you would with a compressor, but with unique results. IF you like experimenting with compression, distortions, tone, etc, and represented as willing to work a little for a unique result, look no further. More info is in the manual, which is free to download and check out.






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