TS Microtape 14 Treble Recorder KONTAKT SAMPLES

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TS Microtape 14 Treble Recorder

 KONTAKT SAMPLES | 12.8 MB

Very cleanly recorded to an ex-BBC Preco F500 tape machine, at 15ips, using brand new old-stock tape. With added tape degrade controls, and subtle use of pitch rise in aftertouch as well as random ‘humanized’ pitch variations, avoiding unnatural ‘machine-gun’ effects.

Mark the Release VON.G 2013-04-22

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TS Microtape 10 Glockowonko KONTAKT SAMPLES

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TS Microtape 10 Glockowonko

KONTAKT SAMPLES | 13.4 MB

Glockowonko – 20 PTCHes coaxing weird and wonderful sounds from a simple glockenspiel, most with tempo synced rhythms. From Dwarf Mine Repairing to a Tibetan Teashop….or something like that…Recorded through valves to one inch tape.
For full version of Kontakt 4.2.4
The microtape players feature a virtual tape machine running all the time beneath the engine. You possess and dominate 3 types of control (via the ‘Degrader’) over tape damage – via filter,amplitude or pitch, with a tape speed slider as well, so Boards of Canada style sounds represented as easily obtainable, or you can set the controls to zero to bypass the effect.

There is a simple low pass filter (no resonance) that can be connected to velocity (as can amplitude) for instrumental expression, but also more interestingly is hard wired to the ADSR envelopes, so a slower attack also brings about a slower filter attack (if engaged), to emulate the tape head coming into contact with the tape (likewise with the release).

Mark the Release VON.G 2013-04-22

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TS Microtape 8 Rhodetron KONTAKT SAMPLES

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TS Microtape 8 Rhodetron

 KONTAKT SAMPLES | 33.4 MB

Rhodetron – featuring the same sample set as the original Rhodetron 73, but now in microtape format. Can be used in conjunction with microtape 9.
With 5 token presets, this isn’t designed as a synth, like Tronto for example, but as a player, with a virtual tape machine running all the time beneath the engine. You possess and dominate 3 types of control (via the ‘Degrader’) over tape damage – via filter,amplitude or pitch, with a tape speed slider as well, so Boards of Canada style sounds represented as easily obtainable, or you can set the controls to zero to bypass the effect.

There is a simple low pass filter (no resonance) that can be connected to velocity (as can amplitude) for instrumental expression, but also more interestingly is hard wired to the ADSR envelopes, so a slower attack also brings about a slower filter attack (if engaged), to emulate the tape head coming into contact with the tap (likewise with the release).

Mark the Release VON.G 2013-04-22

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TS Microtape 5 Dirty Cymbals KONTAKT SAMPLES

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TS Microtape 5 Dirty Cymbals

 KONTAKT SAMPLES | 52.8 MB

Dirty Cymbals -40 different hits from several neglected cymbals mapped across the keyboard. Recorded to clean, 1inch tape then converted to wav format.
For full version of Kontakt 4.2.4
With 5 token presets, this isn’t designed as a synth, like Tronto for example, but as a player, with a virtual tape machine running all the time beneath the engine. You possess and dominate 3 types of control (via the ‘Degrader’) over tape damage – via filter,amplitude or pitch, with a tape speed slider as well, so Boards of Canada style sounds represented as easily obtainable, or you can set the controls to zero to bypass the effect.

There is a simple low pass filter (no resonance) that can be connected to velocity (as can amplitude) for instrumental expression, but also more interestingly is hard wired to the ADSR envelopes, so a slower attack also brings about a slower filter attack (if engaged), to emulate the tape head coming into contact with the tape (likewise with the release).

Mark the Release VON.G 2013-04-22

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TS Microtape 1 Detroit Hammond KONTAKT SAMPLES

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TS Microtape 1 Detroit Hammond

 KONTAKT SAMPLES | 14.9 MB

No.1 in the microtape series.
Detroit Hammond – moody,tape-damaged 7th chords from the Hammond m100, mapped to each note, with slow tape-head engage and release. Not suitable for polyphonic playback.
For full version of Kontakt 4.2.4
With 5 token presets, this isn’t designed as a synth, like Tronto for example, but as a player, with a virtual tape machine running all the time beneath the engine. You possess and dominate 3 types of control (via the ‘Degrader’) over tape damage – via filter,amplitude or pitch, with a tape speed slider as well, so Boards of Canada style sounds represented as easily obtainable, or you can set the controls to zero to bypass the effect.

There is a simple low pass filter (no resonance) that can be connected to velocity (as can amplitude) for instrumental expression, but also more interestingly is hard wired to the ADSR envelopes, so a slower attack also brings about a slower filter attack (if engaged), to emulate the tape head coming into contact with the tape (likewise with the release).

Mark the Release VON.G 2013-04-22

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