UNCUT is the UK’s most authoritative music and film magazine and every month celebrates the great legends, icons and maverick talents of ROCK and movies in one brilliant package that embraces both old and new, cult and classic. It is essential reading for anyone with a passion for music and film – and every month there’s a free CD.
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UNCUT August 2014 John Mulvey, who for the last several years has been such a stalwart deputy, is the new editor of Uncut, the handover completed just after our last issue went to press. After 17 years at the helm of Uncut, and 23 years before that at Melody Maker – the only vaguely proper […]
UNCUT June 2014 We’ve got reviews in this issue of two Wreckless Eric albums that you may have missed when they were originally released, and which are now being re-released to coincide with Eric’s 60th birthday in May, when he will also be having a celebratory bash at the Lexington on May 17. I was […]
Uncut April 2014 No-one who saw Little Feat at their peak will want to contest Jon Dale’s description of them later in this issue as one of the greatest American bands of their era. Their records were great, but live they were sensational – at least until a not unusual mix of drugs and personality […]
Mar 11, 2014
Music software and musicians creating electronic music and more, post production is often done by the musicians themselves. Equalization, audio level compression, multi-band audio compression, and limiting. This process somewhat overlaps but should not be mistaken for the term mastering....Software de música y músicos de la creación de música electrónica y más, la post-producción se hace a menudo por los propios músicos. Igualdad, la compresión de audio de nivel, de compresión de audio multi-banda, y la limitación. Este proceso algo se superpone, pero no debe ser confundido con el término mastering ....