FabFilter Pro-Q 2 v2.01


An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! With FabFilter Pro-Q 2, you get the highest possible sound quality and a gorgeous, innovative interface with unrivalled ease of use.

Mark the Release R2R 2014.09.19 | WiN: 5.5 MB | MAC: 2.59 MB

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Effortlessly sculpt your sound

FabFilter Pro-Q 2 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them and select and edit multiple bands at once.

Unique features like Spectrum Grab, Full Screen mode and EQ Match will speed up your workflow even more. Try it yourself!

Mixing and mastering features

Pro-Q 2 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.

FabFilter goodies

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more!

What’s new in FabFilter Pro-Q 2.01?

• Improved the piano display: you can now drag multiple selected curves in parallel, and double-clicking the piano display creates a new curve at this position.
• Improved solo mode for Bell and Notch filters to better isolate the frequency area of interest. When soloing Low/High-Cut filters, the Q value now always stays the same, making it easier to just fine-tune the frequency.
• Added support for displaying the current EQ curve in Avid’s S6 control surface.
• Fixed a bug in the Auto Gain feature: it would not correctly compensate bands that are in per-channel mode (L/R or M/S). For example, splitting a stereo band would double the auto gain effect. This now works as intended while preserving compatibility with existing saved sessions. When working with an existing session that uses Auto Gain, simply disable and re-enable Auto Gain to get the new behavior.
• Fixed a bug in the VST3 plugin that could cause the sound to stay the same (not using the new parameter values) after using Undo or loading a preset.
• Fixed a bug in the VST3 plugin that caused the saved parameter state to be ignored when opening a saved Audio Montage in WaveLab 8 (this fix is not needed for WaveLab 8.5.10).
• Fixed a bug in the VST3 plugin that caused the latency to be reported as zero when opening a saved Audio Montage in WaveLab 8 and 8.5.
• Fixed a bug in Natural Phase mode that could cause an incorrect frequency response with some rare combinations of frequency and slope settings with Low Cut and Notch filters.
• Fixed a bug when double-clicking a control to enter a new value: clicking outside the input box now accepts the new value while previously it would discard it.
• Fixed a bug in the AU plugin: pressing Cmd+Q to quit the host while Pro-Q 2 was in full screen mode would cause it to crash.
• Fixed a bug when zooming out in the display when Analyzer Freeze is enabled: this would create a large blob on the left side of the display in the analyzer.
• Fixed a bug with Full Screen mode in the 32-bit VST2 plugin in Cubase on Mac OS X when ‘Always on top’ was enabled: the plugin window would float on top of the full screen window. In addition, keystrokes are now correctly passed to Cubase in this case (e.g. playback start/stop).
• Small other bug fixes and improvements.


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