Hauptwerk – Prague Baroque organ
Prague Baroque organ (48/16 version) | 2.3 GB
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Prague is said to be “Mater urbium” (the Mother of towns). The large gothic church of Our Lady before Tyn in the very centre of the city was an eye-witness to all the key adventures of the Czech nation since these events usually took place at the neighboring Old-Town square. The sanctuary is known especially for its Hussite and Utraquist past. Today, many tourists visit the place to find the tomb of Tycho de Brahe. The church is famous also due to its 17th century organ. The instrument has to be called “Mater organorum”. Indeed, the masterpiece of Johann Heinrich Mundt (1632-1691) finished in 1673 for the church of Our Lady before Tyn is generally considered to be the THE organ. It is the most typical representative of the Czech organ building. Also, it is one of the best preserved instruments from the 17th century in Europe. If you think of a historical Czech organ, it is the first instrument which comes immediately to your mind. The organ was excellently restored in 1998-2000 by Klais (Bonn) thanks to a massive support of the German foundation (Zukunftsfonds). I can say without any exaggeration that it is the dream of every Czech organist to be allowed to touch this instrument.
Detailed essays on the history of the organ and its restoration represented as available, based on the account of prof. Hans-Wolfgang Theobald (see the bibliography) who was the leading figure of the restoration process.
However, the greatest south German instruments offer even greater variety of stops, especially reeds. The most notable document of the early Baroque south German organ building is the monumental Johann Georg Freundt (1590-1667) instrument built for the Klosterneuburg abbey near Wien (finished in 1642). 3-manual instrument built for solistic organ playing on high feasts, while retaining most of the characteristics mentioned above including short bottom octaves and very limited pedal, offers reeds of all kinds: full-, half- and short-resonators. We were examining the Klosterneuburg organ and we wanted to record it for Hauptwerk. The organ itself is in perfect shape. It was restored in an exemplary manner by Kuhn (Männedorf, Switzerland) in 1990. However, the blower noise was extreme (I honestly think that it was the loudest blower noise I ever heard) so we gave up. Nevertheless, we at least took the inspiration how a south German reeds should sound and then we decided to add these timbres to the virtual model of our Prague organ model. Therefore, there is the extended version of the Prague Baroque sample set enriched with these Klosterneuburg-like reeds. Therefore, our virtual model cannot be said to imitate one specific organ, rather it tries to imitate the typical south German sound color.
Limitation this version:
Almost full set downsampled to 16 bit, except: HW Mixtura, HW Cembalo, RP Mixtura
The lettering “not licensed” will be showed on console
Default loading required 4.4 GB memory
One attack and loop loading is 3.3 GB
This package may be simply extracted by WinRar into folder:HauptwerkHauptwerkSampleSetsAndComponents
It’s fastest way
For some pipes you can use Hauptwerk instrument “Pipe and rank voicing” with parametres: Brightness, High frequency boost