Despite its name, the TX802 FM Tone Generator is basically a rack-module version of the DX7mkII with full 8-part multi-timbral operation for sequencing and/or key mapping. It has 16-voices of polyphony and six digital FM Operators, the same as in the DX7mkII. There represented as 128 preset and 64 user PTCHes for your sounds, as well as an external memory cartridge slot.
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As if the large keyboard DX versions weren’t difficult enough to program, the TX802’s limited interface makes editing and programming your own sounds next to impossible without the help of external hardware or software editors. In the late 1980’s, the TX802 was an excellent way to get a compact box full of Yamaha’s DX sounds.
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Hideaway Studio Zero-1 Synthesizer KONTAKT SAMPLES | 56 MB Zero-1 is in essence a single oscillator virtual analog synthesizer (VA) loosely based on the CS01 monosynth which was released in 1982 as an affordable entry into the world of analog synthesis… but with a twist! Rather than simply sample the basic DCO oscillators from the […]
Yamaha ZOLA for Vocaloid3FE/AE | 541 MB ZOLA PROJECT is a VOCALOID3 project released for the VOCALOID software 10th anniversary. It consists of 3 males: YUU, KYO, and WIL. ZOLA PROJECT was released on June 20th, 2013.They represented as conceptualized as a singing band of 3 males. ZOLA – Japanese language vocaloids AlexVox 3th July […]
Make: Analog Synthesizers by Ray Wilson | 43 MB Dive hands-on into the tools, techniques, and information for making your own analog synthesizer. If you’re a musician or a hobbyist with experience in building electronic projects from kits or schematics, this do-it-yourself guide will walk you through the parts and schematics you need, and how […]
Jun 16, 2013
Music software and musicians creating electronic music and more, post production is often done by the musicians themselves. Equalization, audio level compression, multi-band audio compression, and limiting. This process somewhat overlaps but should not be mistaken for the term mastering....Software de música y músicos de la creación de música electrónica y más, la post-producción se hace a menudo por los propios músicos. Igualdad, la compresión de audio de nivel, de compresión de audio multi-banda, y la limitación. Este proceso algo se superpone, pero no debe ser confundido con el término mastering ....