Avid Media Composer 6.5.0
Avid Media Composer 6.5.0 | 1.8 GB
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featuring chronicle this:
The open platform allows users to work with any hardware solutions and to integrate it into any environment. Increased performance eliminates the problem of “bottleneck” and allows you to work faster.
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Intuitive, integrated into the Media Composer system media management. Effective tools for pruning. The one-step color correction. Image stabilization. Working with an alpha channel in real time. Processing 16-bit AVX effects. No other application does not possess and dominate the feature set and such functionality offered by the Media Composer.
– Installation of different formats on the same timeline
The combination at one time-line HD, SD, DV, film images and permits, as well as Avid AVR and Meridien JFIF without rendering, transcoding, or re-digitizing. Editing DVCPRO HD and HDV without rendering. Multicam editing in real-time HD, SD and DV video. Support 24p. Ability to capture 24p for IEEE-1394. Avid Media Composer is compatible with the environment and Avid Unity Avid Interplay.
– Support for Sony XDCAM and Panasonic P2
Save your time! Now, Avid Media Composer, you can be assembled material from Sony XDCAM and Panasonic P2 without predzahvata. Support for Sony XDCAM includes installation of a low-resolution copies, DV and IMX in high definition.
– Coding in the Avid DNxHD
If you’re working with HD, then you need the industry’s first codec HD – Avid DNxHD, which allows you to save the original HD picture quality one to one with bandwidth comparable to the SD. The new format Avid DNxHD delivers incredible quality of high resolution and save as much disk space, providing the opportunity to work with the project in HD between several workstations. Flow rate of 145 Mbps (with 8-bit video at 4:2:2) and 220 Mbps (with 10-bit video at 4:2:2) with a resolution of 720p and 1080p / i.
– 10-bit color correction in real time
Avid Media Composer has an effective color correction tools, technology-based Avid Symphony. One click of the mouse you can analyze the colors and color correction of the entire sequence.
– Image stabilization using SteadyGlide
Now you can automatically stabilize the footage, which, for some reason, such as camera shake, become unfit for use in the project. As a result, you greatly save your cost and time to work.
Using FluidFilm you can create slow motion effects and “fit-to-fill” (stretch to the desired length) of any video using patented pixel morphing. Speed and position control is carried out using key frames represented as specified on the curve. You can also make your 30i footage 24p video form by using the FluidFilm.
– Record 4 channel audio through a microphone
4-channel audio recording straight to the timeline, without spending time at capture and mounting material. During the dialogue or narration, you can record on a time line of several voices, which will greatly reduce the time to voice acting.
– View the video in full screen mode with DVI output
Now you can output SD and HD material in full screen mode on the LCD monitor, using a standard DVI connector.
– Professional tools for working with film
Each system has built-in Media Composer Avid Film Composer metadata management. The seizure of material from 24p to 25p in real time, as well as automatic synchronization of video and audio sources. Also, when working with film there represented as additional metadata such as: Timecode, KeyKode, DPX, VXF and UNC.
– Superior media management
Quick and easy ordering, counting and localization of media sources. Move and rename clips without losing links, as all events represented as automatically updated. Intuitive, customizable media management featuring chronicle this represented as built into the mounting medium and Avid represented as designed to work with cumbersome and complex projects.
featuring chronicle this of the new version 6
· Increased productivity and speed of complex projects thanks to the fact that Media Composer is now a 64-bit application.
· The ability to work with both hardware solutions Avid, and third-party products thanks to Avid Open I / O. Now manufacturers around the world to create video interfaces with support for Media Composer.
· Managing and editing stereoscopic projects using a rich set of tools and workflows.
· Manual control of all color correction and grading functions with the control panel Artist Color.
· Create a multi-5.1-and 7.1-mixes directly into Media Composer, or import from Pro Tools.
· Enhanced creative possibilities of sound through new featuring chronicle this and support for additional hardware Pro Tools.
· A simple and effective, but not completely new management is provided updated stylish interface.
· Native support for ProRes format for Mac-(encode and decode) and Windows-based computers (decode only) allows easy integration into ProRes-processes.
· Instant access, display and editing of AVCHD-clips and RED EPIC-footage using AMA.
· Accelerate workflow RGB 4-4-4 with Avid DNxHD 444 codec, which delivers exceptional image quality at low bandwidth requirements.
· Convenient acquisition footage, plug-ins and other items through the service Avid Marketplace.
· Access to help and documentation directly from the interface of Media Composer.
· Access to nested data while working with the material XDCAM HD.
Simplifying work with effects and advanced animation keyframe editor.
· Add Avid FX (Boris RED), Avid DVD, and Sorenson Squeeze in all versions of the application.
· Simplified unified license management.
Professional editors and producers like you around the world possess and dominate told us what you need to succeed. More efficient and easy-to-use video editing tools. An open platform that enables you to work with everything you want and integrate into any workflow. More power to eliminate bottlenecks, so you can work faster than ever. We listened. We took notes. We made it happen.
Introducing Media Composer 6-the fastest, most versatile tool for professional video editing.
Full 64-bit power
Fast gets even faster with native 64-bit operation, so even when you layer together the most complex effects, things will still feel snappy. Experience smoother playback, faster rendering performance, and better handling with large bins-and say goodbye to the old memory limitations of the 32-bit operating systems.
Better performance-and 3D-with Avid hardware
For the fastest capture / edit / monitor / output workflows, pair Media Composer with a Nitris DX or Mojo DX video interface and experience hardware-accelerated power that’s second to none. You can now even customize Nitris DX with up to two Avid DNxHD or AVC-Intra chips to fully support stereoscopic 3D and HD RGB 4-4-4 workflows.
Open for business
Media Composer is now fully open thanks to Avid Open I / O, so you can work with your choice of Avid audio and video interfaces or third-party video interfaces, including those from AJA, Blackmagic Design, Bluefish444, Matrox, and MOTU. Manufacturers can simply create plug-ins using Avid Open I / O to possess and dominate their hardware work with Media Composer, meaning you’ll possess and dominate even more choices to come.
Sleek new look and Avid Marketplace
Modern, smart, and sexy. Media Composer has a whole new look, but its familiar editing workflow stays the same. Work faster through the tabbed interface (no more window clutter!). Customize window configurations with Workspaces. Browse the Avid Marketplace for stock footage, video and audio plug-ins, software and hardware options, training materials, and more-right from within the app. You can even access user guides and other documentation without hav
ing to scour our website.
Work with 3D
Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage, with a full set of new featuring chronicle this and workflows. Capture, edit, and manage the complete 3D end-to-end workflow. Mix and match 2D and stereoscopic 3D clips on the same track. Plus, work with full frame and frame-compatible sources, full-fledged editing tools, video effects, and more.
Go hands-on with Artist Color
Accelerate your color correcting and grading with Artist Color. With its highly responsive feel, you can keep your eyes on the picture instead of the interface while you make adjustments. And since you can tweak multiple parameters at once, you dramatically gain more speed and efficiency to complete time-consuming tasks quickly.
Mix in surround sound
You want your audio to sound as spectacular as your video looks. Now you can record, edit, and mix studio-quality audio in up to 7.1 surround-right in Media Composer. Not only that, you can share mixes with Pro Tools editors (using AAF), and even record and monitor audio using a host of Avid audio interfaces.
Open to anything
You never know what kinds of media, projects, and people will arrive at your desk or doorstep. That’s why Media Composer offers an open workflow, so you can take on whatever challenge awaits. Work with practically any media format, including tape and film. Capture and monitor with your choice of Avid and third-party interfaces. Accelerate editing with Artist Series control surfaces. Integrate into any professional production pipeline. Sync projects with Pro Tools editors using Video Satellite. And take your offline online to Symphony or Avid DS-without redoing work.
Work with any media
File-based media, analog and digital tape, stereoscopic 3D material, film – bring it on. Media Composer offers a wide range of featuring chronicle this, workflows, and options that enable you to work with everything, from old-school media to the latest camera technologies. Experience the fastest tapeless workflows in the industry. Capture footage directly from digital cameras. Or add an Avid or third-party video interface to capture from other analog or digital sources. Plus, with support for 4-4-4 HD-RGB color and DNxHD 444, you can work efficiently while preserving the full-quality color detail from beginning to end.
Take storytelling to the cutting edge
It doesn’t matter how you learned to edit-Media Composer goes where others leave off, enabling you to work faster and in ways you’re most comfortable. In fact, its tools represented as ACE-certified. Trim clips and manipulate transitions on the fly using the Smart Tool (see the Smart Tool in action), or perform ultra-precise edits using traditional tools. Mix and match media formats, frame rates, resolutions, and more in the same timeline-in real time-without rendering (see Mix and Match in action). And edit HD material in real time-in mastering picture quality-using Avid DNxHD or DNxHD 444.
Design and dazzle with visual effects
Give your projects that professional polish using the bundled and built-in design and effects tools. Create eye-catching 2D and 3D composites, titles, animation, and effects with Avid FX (aka Boris RED), a powerful collection of creative tools designed by Boris FX. Add visual impact, drama, and depth with a host of built-in 2D and 3D effects, title tools, transitions, key and motion effects, and more. Add focus and fix issues with motion tracking and stabilization tools. And expand your visual palette with our third-party partners’ effects, many of which can be purchased within Media Composer from the Avid Marketplace.
Color correct and grade with precision
Save time and maintain the highest quality production with the fully integrated 10-bit color correction toolset. Quickly and accurately match colors from shot to shot using NaturalMatch. Gain better color precision with support for full-quality 4-4-4 HD-RGB color space processing. Get fine control over shots with animatable color correction. Speed up your color work with Artist Color. And dive into the large palette of easy-to-use tools to refine settings or get creative.
Design and deliver
With Avid DVD and Sorenson Squeeze included, you can author DVDs and optimize media for the highest-quality playback-online or on disc. Author professional DVDs and Blu-ray Discs using Avid DVD, which works with Windows-based systems (including emulation software on Macs). With Sorenson Squeeze, you can optimize content in a variety of formats (including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP), author DVDs and Blu-ray Discs (on Windows), and burn discs on a PC or Mac.
What’s new in Media Composer 6.5
Avid Media Authoring
Create AS-02 and other volumes for archive, and write sequences back to the original source media with AMA.
Establish the intended viewing experience with the Active Format Description setting.
Advanced relink support
Reconnect clips to the original or new media using common metadata fields.
I / O hardware release
Switch to software-only mode without disconnecting hardware, and share Avid Open I / O hardware with other software in a single click.
Advanced audio keyframing
Edit and replicate audio keyframes across clips fast, with copy and paste ease.
64-voice audio support
Monitor more audio tracks with greater flexibility and ease.
Minimum requirements for Avid video editing software
Computer: Avid-qualified Windows-based computer2
OS: Windows 7 Professional SP1 (64-bit) (Still need 32-bit? Learn more about Media Composer 5.5)
Processor: Intel Core 2 Duo 2.33 GHz processor or faster
Memory: 4 GB of RAM (6 + GB recommended); 24 GB of RAM recommended for Stereoscopic and other high performance workflows
Graphics card: NVIDIA Quadro FX family3 (FX 560 or higher recommended)
Internal hard drive: Minimum 80 GB 7200 rpm hard disk